July 2017
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This month I did a street fair. It was remotely fruitful, but it reminded me why I almost never do them.
Street fairs are a whole operation: you have to get a small truck, bring it to the space, unload everything, find a power source, set up with help, & even then you’re boxed into a tent working within tight constraints. You’re not just selling art, you’re managing logistics, boundaries, weather, & to some degree the mercy of whichever vendors set up next to you.
The community vibe is nice though. Local food vendors, neighborhood energy, people strolling around. It’s a different kind of New York.
I was next to a lemonade stand, & the juice wasn’t worth the squeeze.
Running around with my cart was slimmer. Less friction. More mobility. More spontaneity. More fun. The unorthodox nature of the cart created a stronger community vibe than any street fair ever could because it wasn’t manufactured, it was alive.
I maybe did two street fairs over the years for a reason. And honestly, it’s not exactly a great idea to set up a tent full of unique originals next to mass-produced bracelets & necklaces. Different universes. Different customers. Different energy.
This month was a reminder: the cart wasn’t just how I sold… it was the edge.

Dunking at Chelsea Park










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Classic picture of the Ridgewood basement. Low ceilings, a landlord that believed in me.
















































































